Tuesday, March 23, 2010

Movie Releases in South Korea


Upcoming Movie Releases for South Korea

March

Solomon Kane ('09) -- 25 Mar 2010

Green Zone (Universal) -- 25 Mar 2010

The Other End of the Line (Calling in Love '08) [Indian] -- 25 Mar 2010

Les Yes Men Refont le Monde (Les Yes Men refont le monde) [French] -- 25 Mar 2010

A Serious Man -- 25 Mar 2010

April

Clash of the Titans (Warner Bros.) -- 1 Apr 2010

As God Commands (Come Dio Comanda) -- 1 Apr 2010

The Class (Entre Les Murs) [French] (2008) -- 1 Apr 2010

애즈 커맨즈 [Korean] -- 1 Apr

폭풍전야 [Korean] -- 1 Apr

소명2-모겐족의 월드컵 [Korean] -- 1 Apr

Date Night (20th Century Fox) -- 8 Apr 2010

The Crazies -- 8 Apr 2010

When in Rome -- 8 Apr 2010

空気人 (Air Doll) [Japanese]-- 8 Apr 2010

반가운 살인자 [Korean] -- 8 Apr 2010

나온 남자들 [Korean] -- 8 Apr 2010

Leap Year (Universal) -- 15 Apr 2010

The Blind Side -- 15 Apr 2010

Bounty Hunter (Sony) -- 15 Apr 2010

베스트셀러 [Korean] -- 15 Apr

작은 연못 Kill Them Al [Korean] -- 15 Apr

미투 [Korean] -- 15 Apr

사요나라 이츠카 [Korean] -- 15 Apr

The Book of Eli -- 15 Apr 2010

Wallstreet: Money Never Sleeps -- 22 Apr 2010

G-Force -- 22 Apr 2010

Desert Flower -- 22 Apr 2010

친정엄마 [Korean] -- 22 Apr 2010

애스:영웅의 탄생 [Korean] -- 22 Apr 2010

Iron Man 2 -- 29 Apr 2010

구르믈 버서난 달처럼 [Korean] -- 29 Apr 2010

May

The Back Up Plan (Sony) -- 13 May 2010

Robin Hood -- 13 May 2010

Death at a Funeral (Sony) -- 27 May 2010

June

The A-Team (20th Century Fox) -- 10 Jun 2010

The Karate Kid (Sony) -- 10 Jun 2010

July

Shrek Forever After (Dreamworks) -- 1 Jul 2010

Knight and Day (20th Century Fox) -- 2 July 2010

Salt -- 22 July 2010

August

Eat Pray Love (Sony) -- 19 Aug 2010

Grown Ups (Sony) -- 26 Aug 2010

September

무적자 (A Better Tomorrow) [Korean] -- 16 Sep 2010

October

November

Beastly (Sony) -- 18 Nov 2010

December

The Green Hornet (Sony) -- 23 Dec 2010

2011

Priest -- (Sony) 18 Mar 2011

Thor -- 6 May 2011

Pirates of the Carribean: On Stranger Tides -- 20 May 2011 (US)

The Hangover 2 -- 27 May 2011

KungFu Panda: The Kaboom of Doom (Dreamworks) -- 3 Jun 2011 (US)

Green Lantern -- 12 Jun 2011

Disney Pixar CARs -- 24 Jun 2011

The First Avenger: Captain America -- 22 Jul 2011 (US)

Transformers 3 -- 1 Jul 2011 (US)

Harry Potter and the Deathly Hollows -- 15 Jul 2011 (US)

Wednesday, March 17, 2010

American Idol Meets the Rolling Stones Sort Of


Leading up to the Rolling Stone performance show on American Idol, the final 16 were paired down to twelve. I have to say that I was not too surprised. Two of the three girls I had at the bottom went home and two of the three guys at the bottom also went home. I don't know if they way they hold a couple of individuals at the end means that they were the bottom vote getters or what. If that is the case, I was given two surprises from the girls.

One, I would not have had Paige Miles so high, and I also would not have Katie Stevens so low.
I really think that Stevens has a reserved style, like maybe she was born about fifty years too late. She is clearly going to have to step it up if she wants to continue.

Also, why was Crystal Bowersox looking so pissed off? Was it nerves? Didn't the the judges and everyone tell her like 300 times that she was the one to beat?

Anyhow, the Rolling Stones have worlds of good songs.

Michael Lynch went first with Miss You and I honestly thought...enh, whatever. The Judges always give him a pass, not really challenging him on anything. I think for me what it is, is that I think he has good control over his voice and has a nice sound. He has the strongest stage presence of all the contestants and a hight likability factor. I think quite frankly though, his voice is often not very strong. When he sings in the mid ranges I think it is flatish and think there are are five or six others in the room that can top him on vocal strength.

He sounded good but a little weak at times in the less challenging "while I miss you" part at the beginning, but then his falsetto who whoing and "awe baby" broke up the flow of the song...very little connection at all. He might have been feeling something, but he did not communicate it.

Didi Benami went dark, as several of the judges noticed, when she sang Play With Fire. She let loose a bit with something different and did quite well. There were a couple of rough spots, once where she came in a little late sort of spoke the lyrics to catch up..."The old man took her diamonds and tiaras by the score..." but she recovered nicely. Then near the end in the repetition of "don't play with me cause you're playing with fire" where she went high, she sort of lost control of her voice as she seemed to try to make to big of a register jump, and she remained shaky until the end.

Is it reasonable to say that he sang it too much, added too much styling? I just didn't feel it, to quote the judge on the left.

I like what Casey James did with Used to Love Her. The lyrics to the song are not that numerous. Lucky for him, he sang the part well. I definitely liked the county blues sound from him. This was a nice performance.

Lacy Brown did Ruby Tuesday and it wasn't into a good half minute into the song that I really felt anything. At that point her vocals were pretty there, but the arrangement detracted from her performance. At times I kinda felt like I was listening to a Marylin Monroe rendition.

I think Andrew Garcia coming in was on his last leg. He stepped it up with Gimme Shelter and could go further based on this raspy, passioned performance. He hit the notes right pretty right and showed he can vocalize. I think Randy and Kara probably called it wrong. When I think of his last performances, I think this was his best one so far. He definitely made me forget last weeks a bit.

Katie Stevens went with Wild Horses. It is a song I love and I was eager so see what she would do with it. It started of pretty blah but once she got going with the vocals she was there and she has a lot of passion. I think as a singer she hasn't really found her self. She definitely has pipes, there is no doubt. I think should might be a great country singer one day. Who knows.

Tim Urban went with Under My Thumb. I kind of felt I was listening to a cowboy stringing a banjo with the guitar. Honestly I heard like three different styles there. A kind of jazzy, ragae, cowboy song. Too Bad, I think Urban has a lot of talent. If he survives he might do better because he has effectively lowered everyone's expectations.

Next up was one of my favorites, Siobhan Magnus singing Painted Black. She had the whole dark soul ridden thing going on. I thought for a moment that maybe it was the wrong arrangement for her, but man did she finish strong! Man, did she finish strong!!! If you need a singer that can scream and sound good, she is the one.


Lee Dewyze went with Beast of Burden and made a good sound after a solid performance by Mangus. I think he could stand in for Hootie with the Blowfish or the Dock and the Bay guy. It was not as special as I might have liked, but it was great Saturday afternoon in the park music.
It's nice but it wouldn't make me want to turn up the radio if was listening in the car.

Paige Miles sang better than I thought she could based on past performances. She went with Honkey Tonk Woman and it seemed to be the perfect choice for her vocal style. She sounded pretty good most of the time. Simon said it right though...it sounded like something you would hear in a bar.

What and odd name Aaron Kelly's adoptive mother has...Kelly Kelly. Hm. Anyhow, the singular Kelly went with Angie. Being 16 and singing the Stones, it must be hard to come up with an age suitable song. His ability to find a connection to songs that are certainly outside of his life experience might mean he has a career ahead in acting. It was technically great, passionate, filled with emotions. He did a great job and certainly showed he is likely going to last longer. This doesn't bode well for Tim Urban if someone is going home.

Crystal Bowersox, who many would say is the girl to beat, sang Can't Always Get What You Want. Definitely the kind of performance that makes you want to turn it up. I really liked her passioned, elongated vocalizing. She didn't just vocalize gave it a unique sound that was enjoyable. I don't know if the judges were very fair, or weather she just suffered from being praised so highly so early.

So, let me rate these performances, regardless of gender, and regardless of previous performances.

  1. Siobhan Magnus --Painted Black
  2. Didi Benami--Wild Horses
  3. Crystal Bowersox--Can't Always Get What You Wan
  4. Lee Dewyze--Beast of Burden
  5. Aaron Kelly--Katie
  6. Michael Lynch--Miss You
  7. Lacy Brown--Ruby Tuesday
  8. Casey James--Used to Love Her
  9. Katie Stevens--Wild Horses
  10. Andrew Garcia--Gimme Shelter
  11. Paige Mile--Honky Tonk Woman
  12. Tim Urban--Under My Thumb
Magnus can definitely bellow, I wonder if she can match Bowersox when it comes to more human vocal ranges however. Last week, however, was no fluke. She will be one of the last one's standing. I want to say that Benami scored high and was definitely the surprise of this week but I don't expect her to stay there. I still say the Dewyze might have petered out. He is pretty good, but just not great. Urban get't the crash and burn award for the week. Can he somehow recover?

At this point I would say that Magnus and Bowersox are the two to beat and Dewyze and Lynch are just hoping the pair get a nasty case of laryngitis. Benami still might surprise however and bump the Dewyze and maybe Lynch farther down. I know the multitude of Lynch lovers out there might make an likable guy finish higher than his ability shows.

Thursday, March 11, 2010

Safe Songs Make Singers Look Good; Risky songs expose pretenders.


There were a couple of pitch problems but I don't think that matters right now. I think that people like you. I know that a lot of people are talking to me about...they have crushes on you. So, you're adorable and I thought it was great.--Judge Ellen Degeneres on American Idol


You could almost hear the judges telling Adam Lambert to stop with the gimmickry and really sing, so that they could actually have a chance to accurately judge him. Some of the singers took chances this week and it paid off, and for others they will suffer for their risks. Some continued to try to play it safe, which might also prove to do them in.

  • Todrick Hall took a chance, and despite what the judges say, I think in the end it probably sealed his fate. He exposed his scattered disconnnecteness with the music he performs.
  • Andrew Garcia chose a song that should have given him a chance to demonstrate some vocal range, but he masked the difficult areas with a bit of vocal fakery.
  • Lee Dewyze took a bit of a chance by trying to spice up a slightly castrated song as song by the original artist and did a pretty good job of pulling it off.
  • Alex Lambert once again sang a song that allows him to use the things he does OK, while never showing anything standoutish.
  • Casey James, the man with the backwards name, sang to perfection with for what for hims was a really safe song, but showed little identity.
  • Michael Lynch sang the way he knows how to sing. Nothing new.
  • Tim Urban sang a song that is not as challenging vocally, but sang it very well and had a lot of individual identity.
  • Aaron Kelly took a real chance with his song choice and demonstrated some real talent.

Lee definitely had some pitch control issues. He did choose a song that he can sing pretty well, based on the notes that he can sing strongly. I liked the edgier tone of the song versus the original. Kara made the most relevant comment, talking about the production value of the original song. I think sometimes he mumbled the lyrics little bit when he sang.

The performance made me think of the fifth or sixth song on CD you buy. Beyond the hits,

You're becoming a mushy banana.--ED

I have to say, that on the surface that I am not a big fan. Last week I felt I wanted to mute the TV when he was singing. He sort of sounds like an old lady that has been smoking for 40 years who is trying to channel Ed Sullivan through his nose. The AI judges raved about him so I gave him another listen. I just see him as a gimmicky singer, and for me the gimmick is not that attractive.


I have to say that the song he sang is a great song for people who have no range. However, he sand it really well. It is sort of like a world class gymnast who is performing the compulsory routing in the early rounds. He makes you want to feel there is something else there because he does the safe stuff so well.

He had good clean vocals throughout, with the exception of when he was going for a little reverb thing with the soft vocal part of the song. It came across a little bit like a nervous boy whose voice was changing. His style reminded me of the guy who sang that Anti-Vietnam song that escapes my memory now. I really like what he did. He showed great range, and has some really great vocal changes.

I think Garcia's problem is that of disappearing vocals. I think sometimes he is not sure how to sing a certain part of the song and so the not sort of disappears into nothing. I think he sings a few notes well but when he has to go outside of his register he has issues. Some vocals disappear. In this song when he should have been going higher for variation, he simply went into to the scratchy broken in voice singer mode, to mask what seems like the inability to sing strong clear vocals. Last weeks song had far more disappearing lyrics than this own however. I'm not sure weather it is him or the song or what.

I'm trying to figure out why the judges are so hard on Casey James. I think it is because he sounds like a lot of people. My guess is that he has a long history doing cover band stuff and he is really used to trying to sound a little bit like other people. He does have great control over his instrument, there is no question. When he does a reverb, it sounds right. When he goes high, it sounds right. When he goes low, it sounds right. Kara talked about wanting to see that spark. I would say that he needs to sound unique. Maybe this is what Simon is talking about when he describes a performance as unmemorable.

Simon finally called himself and the other judges on a mistake they've been making with Kelly and with the other 16-year-old in the competition. These two have made it to where they are because they have matured voices. Quite frankly they don't sound 16. Asking them to sound young or immature when that is not their voice.

On this ballad that Kelly sang, he really struggled. I think he relies too much on the reverb. He certainly did better as the song went on, when he could really take his voice out for solid couple of laps around the track. He does seem like he's trying a little hard at times and for this I agree with Simon. In the end, I think there is not enough seasoning there yet. He is probably on the outside of the upper tier, at best.

Hall is not my kind of singer, so it is hard to judge. I can say that the reason Queen's "Somebody to Love" is so successful is because of the vocal styling of Freddy Mercury. He didn't just sing the parts well, but despite the great variations in the different parts of the song, you never felt like it as a different part. There was a distinct sound that carried through all the parts of the song.

So, Hall, sand some parts well. He has some great range. The song sort of felt like an Olympic biathlon. The parts were all there, but there was nothing connecting them. Hall has talent, but he just doesn't know what he is doing overall. He is unquestionable second tier at this point. Simon called him a Broadway singer, rather than a recording artist. I think this the most accurate thing said by any of the judges. Maybe it will help him get a job when this is all done.

You hear the judges saying over and over again that an artist doesn't know them self, or they haven't found themselves. Lynch is probably one of the stronger candidates based on this test. Beyond that I don't think his vocals really stand out that much. He is really talented. He does a lot of things really well. I wonder if someone got him into a studio, if that would really punch up his sound. But right now I don't know that is vocals are that strong. He sounds like a lot of singers sometimes, not overly memorable.

So, let me rank these guys in order. I could stand to see some shuffling in the top three when all the performances to date are considered.

First Tier
1. Tim Urban
2. Michael Lynche
3. Lee Dewyze
4. Aaron Kelly

Second Tier
5. Casey James
6. Andrew Lambert
8. Todrick Hall (Tie)
8. Andrew Garcia (Tie)

Crystal Ball Speculation:
Who has the most room for improvement here? I would say that Casey James, if he can find some individuality in his style has the greatest chance to leap into the top tier.

Who seems to have petered out?
I am afraid that Lee Dewyze might not have too much more to offer.

Who is the most polished?
It is easy to say the Michael Lynche is the most polished of the eight finalists.

Who has the greatest chance to disappoint in the end?
I think that Michael Lynche is the most polished, but I don't see that much long-term potential with him, no real imagination in his singing. I think he could make it to the final, and ultimately disappoint.

Staying Below the Radar
Andrew Garcia gets the staying below the radar award. He has been doing just enough to stay in the competition but I think his number will be up soon.

Sesame Street One of these three (eight) doesn't belong.
I think Todrick Hall is the one of the eight that least belongs. He is still singing like he is in the trials.


American Idol Judges Need to Step Up


I've been watching American Idol this season and it is actually my first time. I blame the Winter Olympics which caused a shutdown of other TV programs for two weeks. I can't help but think that some things are not being said by the judges that need to be said.

I want to use this post to take a look at the each of the judges.

Randy Jackson sometimes gives some pretty good insights but his issue is that that he often time over generalizes, particularly when it come's to giving criticisms. It just doesn't do it for me. I just don't feel it; or in the compliments--that was dope. However, he definitely knows music. He does feel it and typically knows what is dope. It would just be nice if he would clue the rest of the world into just why he thinks a performance is or is not dope.

Ellen Degeneres might be an entertainer, but on this show she mostly seems to parrot what ever Randy says about 80 percent of the time. The rest of the time she simply says she really liked her performance or says something that another judge has said on a previous song...ie: I just don't think it was the right song. She needs to take a weekend and sit down with a voice coach and some tapes of contestants and listen to the voice coach tell her why something is good or bad. Then she needs to take another weekend to script a few dozen comments that she can whip out to fit the situation. It probably wouldn't hurt for that same same voice coach to be talking into an ear bud, telling her which comment to choose. 'OK, Ellen, go with comment 17b. Give a little pensive pause just before the end and finish with warm smile.'

It is a shame that Fox is trying to force feed Ellen to the AI audience. But it is sort of like going to Outback Steak House and ordering the tofu special. Or to quote Ellen, who was quoting Randy and/or Kara DioGuarde and/or Simon Cowell, I think is was the wrong song choice.

I have to say Kara DioGuarde seems to say some of the most relevant things and make the most spot on comments of the different judges. She probably has the best ear of the four judges. There are probably a couple of cases where she looks blindly past the flaws of some contestants because she like's their vibe.

Simon Cowell's approach often is to look at the big picture, which is his flaw, if that is indeed a flaw. Songs are made up of many individual parts. When this part or that part does not rise to the level of a top performance, that should not necessarily diminish entirely the times that it does. For Simon, he might go into things with preconceived notions about the artists, and when they don't measure up he is not afraid to rip them a new one.

Have you ever watched a sitcom with a man and a woman that the writers never allow to get together, because they know it will kill the show.

Maybe this is the issue with the AI judges. If they ever really did their jobs well, would people suddenly stop watching? Maybe Cowell, in his last season can step up his game a little bit and stop phoning this one in.

Overall, I think the judges could stand to give some more specific criticisms of the contestants. Of all the people out in TV land dreaming of being a famous singer one day, it sure would be useful if they could hear some practical things that they could apply to themselves.

About the contestants and their styles, let me just say, I have never really though about how many musicians use some sort of a modified vocal sound when they sing, either a falsetto or phony accent tint, a never ending reverb or singing through their nose, but it would not hurt to have the judges ask them to sing something without doing that once, and see if they actually can sing without these tricks of the trade.

Having said all of these things, I will say that I am entirely unqualified to make these comments, less so than even Ellen Degeneres.

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